| 000 | 01486nam a22001937a 4500 | ||
|---|---|---|---|
| 005 | 20240205125816.0 | ||
| 008 | 240129b ||||| |||| 00| 0 eng d | ||
| 022 | _a0973-5208 | ||
| 100 | _aMarwah, Anuradha | ||
| 245 |
_aTeaching Creative Writing in English _b: Students’ Performance Assessment as Learning (Journal Article) |
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| 260 |
_aChennai _b: English Language Teachers' Association of India _c, 2021 |
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| 300 | _a24-29p. | ||
| 440 |
_aJournal of English Language Teaching _v, Volume 63 No. 2 : March - April 2021 |
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| 505 | _a***______{For Hard Copy, Please visit Library.}________*** | ||
| 520 | _aAbstract: Indian English drama is often accused of being exclusionary in its impact and addressing only the select few. I analyse three play presentations by my creative writing students to argue that the use of English in a play can be a mode of subaltern resistance. I describe the students as marking their identity in opposition to the adult world, and fostering the English-speaking community of students through their performances in this extraordinary time of Covid. I submit that as English is also the language of intellection and the medium for exchange of ideas among serious-minded students, it was used appropriately against conventional and regressive forces in these plays. | ||
| 650 | _aCreative writing| performance assessment| assessment as learning | ||
| 856 | _uhttp://journals.eltai.in/index.php/jelt/article/view/JELT630206 | ||
| 942 | _cPER | ||
| 999 |
_c45434 _d45433 |
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