000			01641nam a22002057a 4500
005			20231229171240.0
008			231228b ||||| |||| 00| 0 eng d
022			_a0022-0175
100			_aRoss, Wendy
245			_aLet's Just See What Happens _b: A Qualitative Case Study of Risk and Uncertainty in the Creative Process (Journal Article)
260			_aHoboken,NJ _b: Wiley Subscription Services Inc. _c, 2022
300			_a305-318p.
440			_aThe Journal of Creative Behaviour _v, Volume 57: Number 2, Second Quarter 2023
505			_a***______{For Hard Copy, Please visit Library.}________***
520			_aAbstract: Research in creativity often measures creative potential: the number of ideas which can be generated, or the way a novel thought appears in the mind of the thinker. There is much less emphasis on creative thought during the realization of this potential. This paper uses focused cognitive ethnography to explore how creativity is manifest in a complex environment. We report four main findings: that creativity involves a form of “knowing through doing,” that creativity requires risk on different levels, that an embodied material sensitivity is required to make ideas appear in the world and that the form of the creative product is often unstable. We end with some reflections on the importance of detailed microgenetic work to expand our understanding of the embodied and responsive skills which are necessary for creativity.
650			_aCreativity| Material Engagement| Focused Ethnography| Craft
700			_aGroves, Mike
856			_uhttps://doi.org/10.1002/jocb.578
942			_cPER
999			_c45021 _d45020