01735nam a22002177a 450000500170000000800410001702200140005810000180007224501260009026000600021630000140027644000860029050500650037652008480044165000640128970000180135385600370137194200080140895200840141699900170150020231229171240.0231228b           ||||| |||| 00| 0 eng d  a0022-0175  aRoss, Wendy    aLet's Just See What Happensb: A Qualitative Case Study of Risk and Uncertainty in the Creative Process (Journal Article)  aHoboken,NJb: Wiley Subscription Services Inc. c, 2022  a305-318p.  aThe Journal of Creative Behaviour   v, Volume 57: Number 2, Second Quarter 2023   a***______{For Hard Copy, Please visit Library.}________***

  aAbstract: Research in creativity often measures creative potential: the number of ideas which can be generated, or the way a novel thought appears in the mind of the thinker. There is much less emphasis on creative thought during the realization of this potential. This paper uses focused cognitive ethnography to explore how creativity is manifest in a complex environment. We report four main findings: that creativity involves a form of “knowing through doing,” that creativity requires risk on different levels, that an embodied material sensitivity is required to make ideas appear in the world and that the form of the creative product is often unstable. We end with some reflections on the importance of detailed microgenetic work to expand our understanding of the embodied and responsive skills which are necessary for creativity.  aCreativity| Material Engagement| Focused Ethnography| Craft  aGroves, Mike   uhttps://doi.org/10.1002/jocb.578  cPER  00104070aRIEBPLbRIEBPLd2023-12-29l0r2023-12-29 00:00:00w2023-12-29yPER  c45021d45020