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    <subfield code="a">0022-0175</subfield>
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    <subfield code="a">Hunter, Samuel T.  </subfield>
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  <datafield tag="245" ind1=" " ind2=" ">
    <subfield code="a">Why we Support some Original Ideas but Reject Others</subfield>
    <subfield code="b">: An Application of Signaling Theory (Journal Article)</subfield>
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  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="a">Hoboken,NJ</subfield>
    <subfield code="b">: Wiley Subscription Services Inc. </subfield>
    <subfield code="c">, 2022</subfield>
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  <datafield tag="440" ind1=" " ind2=" ">
    <subfield code="a">The Journal of Creative Behaviour   </subfield>
    <subfield code="v">, Volume 57: Number 2, Second Quarter 2023 </subfield>
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  <datafield tag="505" ind1=" " ind2=" ">
    <subfield code="a">***______{For Hard Copy, Please visit Library.}________***

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    <subfield code="a">Abstract: Although organizations say new ideas are desirable, investing in original products rather than the &#x201C;tried and true&#x201D; can be unsettling for decision-makers. This discomfort may be due, in part, to uncertainty surrounding whether a new idea will prove successful. As such, the originality of a creative idea can be paradoxically viewed both as an asset, driving up appeal, as well as a detrimental risk. To help unpack these relationships, we propose that how an original idea is proposed (i.e., pitched) plays a central role in the support it receives. Guided by signaling theory we examined how pitch quality relates to funding for ideas with varying degrees of originality. In a field sample of 245 Kickstarter crowdfunding campaigns, pitch quality for ideas high in originality predicted investment in such ideas. In a follow-up experimental study, we created high- and low-quality pitches for two products, also varying product originality and product quality. Results highlight the importance of high-quality pitches for highly original ideas that are associated with reductions in uncertainty. Supplemental analyses suggest that high-quality pitches improve enthusiasm for a product as well, highlighting a potential second path of support influence.</subfield>
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    <subfield code="a">Pitch| Signaling| Pitch Quality| Product| Bias against Creativity </subfield>
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    <subfield code="a">Blocker, Lily D. | Gutworth, Melissa B. | Allen, Julian </subfield>
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    <subfield code="u">https://doi.org/10.1002/jocb.570</subfield>
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    <subfield code="d">2023-12-29</subfield>
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    <subfield code="r">2023-12-29 00:00:00</subfield>
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